Chamber:

Folding Music (2017) for pierrot sextet.  Composed for Ensemble Ipse, premiered in March 2017.

Scatterloop (2015) for violin and piano, composed for violinist Esther Noh.  Commissioned by Anti Social Music.

Near and Hollow (2015) for violin and two MIDI foot controllers.  Composed for Curtis Stewart and premiered by Antisocial Music.

Dark Body (2015) for flute, violin, cello, and piano.  Composed for violinist Esther Noh and premiered by the New York Composers Circle.

Cut and Fold (2014) for violin, viola and prepared piano.  Commissioned by the Glass Farm Ensemble.

Theia (2014) for bass clarinet, two MIDI foot controllers, and bar chimes.  Composed for Christa Van Alstine, premiered by Antisocial Music.

A Breath of Arches (2014) for string quartet and four MIDI foot controllers. Commissioned by Third Angle New Music as part of their 2014 Third Angle/Russell New Ideas in Music Competition.  Grand Prize winner.

After Lightness (2013) for solo violin. Composed for Curtis Stewart, premiered by Anti-Social Music.

Deep Lines (2012) for flute, clarinet, violin, and cello.  Composed for the Glass Farm Ensemble.

Arborescence (2011) for accordion and pierrot sextet. Commissioned by Avian Orchestra.

Sette Momenti (2010) for flute, violin, viola, and piano. Commissioned and premiered by Le Ville Matte Residency.

The Left Eye Ephemerides (2010) for pierrot sextet.  Composed for the Stony Brook Contemporary Chamber Players.

Glances (2008-2009) for bass clarinet, vibraphone, and piano. Commissioned by Philip Everall.

Little Bird (2008-2009) flute, bassoon, vibraphone and piano. Commissioned by Rachel Beetz and Dustin Donohue.

The Clemency of Milk (2007-2008) for flute, violin, and piano. Arranged for and premiered by soundSCAPE 2008 Music Festival, Pavia Italy.

The Clemency of Milk (2007-2008) for viola, bass clarinet, and piano. Arranged for and premiered byTrio Tara

The Clemency of Milk (2007-2008) for contrabass, bass clarinet and piano. Arranged for and premiered by the Stony Brook Contemporary Chamber Players.

The Clemency of Milk (2007) for contrabass and percussion. Commissioned by Lisa Dowling

Glass Blue Cleft (2006-2008) for string quartet. Recorded by Escher String Quartet and released on Bridge Records (9318).  Composed for Esther Noh.

  • Music Now Competition, Winner
  • Fifth Annual NY Composers Circle Competition, Winner
  • Colors Composition Competition, Finalist
  • Hanson Young Composer Competition 2010, Honorable Mention

Twilight for Adored and Breathless Moments (2004-2005 rev. 2007) for pierrot sextet. West Coast Premiere by Seattle Chamber Players. Composed for the Stony Brook Contemporary Chamber Players.

Daylight (2003) for flute and piano. Commissioned and recorded by Jill Sokol.

I'd Want Her Eyes To Fill With Wonder (2003) for pierrot sextet. Premiered by Anti Social Music
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Vocal:

The Way In (2015) for soprano, cello, and piano.  Commissioned by Antisocial Music.

Both Eyes Open (2009-work in progress, formerly "The Potato King, formerly "Apricots of Andujar") chamber opera for tenor, soprano, actor, chorus, Marimba Lumina, and pierrot sextet.  Composed for John Duykers, tenor, and Joel Davel, Lumina.  Commissioned by The Jerome Foundation and New Music USA.  World premiere planned with the Paul Dresher Ensemble in 2017.

Apricots of Andujar (2009) staged song cycle for tenor, movement artist, Marimba Lumina, and pierrot sextet
Commissioned by the Jerome Foundation. Composed for and premiered by John Duykers and Joel Davel, and Birds on a Wire.

Bread and Gentleness (2007) for tenor and piano. Premiered by John Duykers.

Winter Earth (2005) for soprano and piano. Composed for Stony Brook Contemporary Chamber Players

Black Sky Hates The Moon (2004) for tenor, two sopranos, clarinet, vibraphone and piano. Composed for and recorded by John Duykers

Green (2004) for two tenors and electronics. Commissioned by RIMT and La Mama, Etc.

Now It Can Be Told (2003) for soprano and electronics. Commissioned by A. Jane Johnston

Elk River's Edge (2002 - 2003) for tenor and chamber ensemble. Commissioned by John Duykers.
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Orchestral:

Glance (2009) for orchestra.  Composed for and premiered by the Stony Brook Symphony Orchestra.

  • Minnesota Orchestra Composer Institute and Future Classics 2012 - Honorable Mention
  • Minnesota Orchestra Composer Institute and Future Classics 2010 - Runner-Up

Studies #1-5 (2006-2008) for orchestra. Readings by the Stony Brook Symphony Orchestra.

Blue (2007) for string orchestra.

Inanimates Suite (1994) Movement III for chamber orchestra.

Chronos (1989) for orchestra. Composed for the Oakland Youth Orchestra.
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Theatre, Multimedia, Film, & Dance:

Flame (2016) music theater piece for flute and MIDI foot controllers.  Commissioned by Antisocial Music, composed for flutist Margaret Lancaster.

The Table Where We Met (2012) for violin and processed string quartet samples.  A collaboration and commission by Director/Choreographer Amy Yopp Sullivan and her Ironworks on the Edge Dance Theatre Company.  Premiered by Esther Noh, violin.

Light (2009) dance score for electronics. Commissioned by the Brookhaven National Laboratory.

Sea Bourne (2009) film score for electronics. Commissioned by The Stony Brook Department of Theatre Arts and Director Amy Yopp Sullivan.

When The Sea Dies (2006) dance score for prepared-piano and electronics. Commissioned by The Stony Brook Department of Theatre Arts and Director Amy Yopp Sullivan.

Invisible Messages (2006) theater score for electronics. Commissioned by PS122 and Proto-type Theatre, Inc.

The Two Shall Be As One (2006) film score for electronics. Commissioned by Gen Winters.

Running For Our Lives (2006) dance score for prepared-piano and electronics Commissioned by The Stony Brook Department of Theatre Arts and Director Amy Yopp Sullivan.

Apostasy (2005) theater score for electronics. Commissioned by Dixon Place and Proto-type Theatre, Inc.

Museum of Dreams (2005) theater score for electronics. Commissioned by Chashama and Proto-type Theatre, Inc.

Holiday Fantasy (2003) theater score for electronics. Produced by Deke Weaver.

I Never Sang For My Father (2003) theater score for electronics. Produced by Laterthanever Productions.

Three Ring (2002 - 2003) theater score for electronics. Commissioned by Proto-type Theatre, Inc.

The Seagull (2003) theater score for electronics. Produced by Another Theatre Company.

Phenomenon (2002) theater score for six-channel sound collage. Produced by Alyse Rothman and NERVE.

Faust Is Dead (2002) theater score for electronics. Commissioned by Horizon Theatre Rep.

Circus Disco (2002) theater score for electronics. Commissioned by Proto-type Theatre, Inc.

Macbeth (2002) theater score for electronics. Produced by Another Theatre Company.

Circus Disco (2002) theater score for clarinet, accordion, celeste. Commissioned by Proto-type Theatre, Inc.

In Tubes (2002) theater score for electronics. Produced by Duende Theatre Company.

Cheap Thrills (2001 - 2002) theater score for tenor and electronics. Commissioned by Proto-type Theatre, Inc.

Rhinoceros (2002) theater score for electronics. Produced by Michele Chivu.

The Young Ones (2002) theater score for electronics. Produced by Fordham University at Lincoln Center Playwriting Program.

The Twilight Series (2001) theater score for electronics. Commissioned by Proto-type Theatre, Inc.

Nincome (2001) theater score for electronics. Produced by New Georges.

Bunny's Last Night In Limbo (2000 - 2001) theater score for live MIDI processing. Commissioned by Proto-type Theatre, Inc.

Poor Angels (1998 - 1999) theater score for electronics. Commissioned by Proto-type Theatre, Inc.

Eschaton 2000 (1998) theater score for electronics. Commissioned by Proto-type Theatre, Inc.

Multimedia Project (1993) for projected video, three saxophones, two electric guitars, two electric basses, drum set, tabla. Premiered at Oberlin Conservatory.
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Recordings:

Stony Brook Soundings, Volume I. Glass Blue Cleft recorded by the Escher String Quartet. Bridge 9318. Available at www.bridgerecords.com and iTunes.

Theatre Music: The Singles (1999-2006). Collection of music for theatrical productions, available on iTunes, Amazon, Napster, and eMusic.

Child Talks To Dreams (1999 - 2000) concept album for vocals, tenor, speaker, keyboards, piano, prepared-piano, percussion, drum set, turntables, flute, trumpet, glass, bottles, toy piano, toy guitar, Heil Talk Box, processing, sampling.

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